Thursday, March 20, 2008

Some days I feel like perhaps I’m a little crazy. I’ve been coming to the realisation that I’m happier writing on poetry than I am on prose—when I’m writing about poetry, I’m (obviously) thinking about poetry. I feel that it’s more likely to lead me back into my own writing. This means that I’m thinking about what exactly to do with my thesis next year… The work I’d like to do on Dickens is, I feel, an important project—and it’s less about Dickens than about Australian national identity (yes, I’m feeling a little self-exiled these days, and have become, perhaps, more Australian than ever) which appeals to me. But—I want to write about our poets, and promote contemporary writing that is exciting. I’ve thinking and talking and wondering. (Perhaps I can do some smaller papers on Dickens. I don’t know if I would be able to get hold of the materials I need to do the kind of large-scale study I have in mind anyway. The records I need are most likely all in Australia.)

Speaking of writing on poetry, I’ve been having some slightly crazy thoughts on Milton’s Paradise Lost. These emerged from thinking so much about travel literature recently—and I was thinking of the ways Milton employs aspects of travel writing in the poem. And then—perhaps crazier—I’ve been listening to a lot of (Australian) Radio National podcasts as I’ve been going to sleep, including a few science shows. The most recent one was talking about solid light and the idea that at a critical point light crystallises. This got me thinking about the ways Milton uses light and darkness in the text, including light that “pierces.” But thinking it through I just couldn’t figure out how to turn either into a paper in the next month, and instead it looks like I’ll be looking at patterns of silence and sound in the text. At times I start to realise that I have “grad school brain.” But then, I don’t exactly think it’s even a normal grad student reaction to listen to a science show and think “Ah! Milton!” so perhaps I just have my own (extremely idiosyncratic) brain.

Today I’m seeing a face from home—like ships that meet in the night, I’m going to have an hour or so with Elena Knox, who’s passing through DC on her way to elsewhere. She has three hours at Union Station, and I’ll spend about half of that with her. There’ll no doubt be food, talk, and possibly a (very) quick interview—I want to catch up with the creative force that is Elena, and hear all about what she’s up to with her writing and performance.

Also today, the beginning of the Split This Rock poetry festival—more poets to meet. There’s an exciting line up over the next few days. I just hope that my (sometimes delicate) energy holds up and that I actually get some university work done at the same time!

I went looking for poetry from Pacific islands yesterday—I found a lot, which was lovely, but am particularly keen to find a poem/poet from the Marshall Islands. Anybody got a suggestion?